Costa Rica’s landscape has drastically changed and continues to do so; from the western San José suburb of Escazú to Playa Tamarindo on the northern Pacific coast, it seems that ground is broken on a new development project every day. More than a decade of serious development has produced at least one benefit—the influx people, money, ideas and cultures has created the perfect environment for a burgeoning art scene.

The international world of art largely passes over San Josè though “everyone wants San Josè to be a center for art,” explains Wilson McCray, artistic director of the new Galería Amón and a painter who has lived in San José for eight years.

“The art scene in San Josè is growing at an exponential rate,” McCray notes. “There are so many young artists--and they’re good--but without venues for young artists to show like other big cities.”

Robert Griffith, who opened Galería Amón to fill this void in northern San Josè’s Barrio Amón district, says, “if we promote and build the art community, then we are doing our job.”

Griffiths, a US emergency room doctor who practices in Cleaveland, OH, never had much to do with the art scene until several years ago, on his first trip to Costa Rica. After landing in San Josè, Griffith went directly to Monteverde, in north-central Costa Rica, where he stayed across the way from Stella’s Bakery. Inspired by Stella Wallace’s painting, he began to paint as well, returning to Monteverde four times in 2005 alone to go Monteverde to study with Wallace.

Five years after his first foray into Costa Rica and painting, Griffiths acknowledges that his place in the art world isn’t about his work, but rather what he can do for artists. After several years of going between Cleaveland and Monteverde, Griffiths learned about more than just painting. He saw how much it means to an artist to sell a piece and decided to foster the growing art scene by providing a place for artists and the public to connect.

“I am an ordinary artist, but being able to have a place for artists…for me, it is about showing artists, creating a place where it would be easy for people to see the art.” he says.

McCray and Grifiths have an easy relationship; McCray is rarely serious while Griffith is earnest, but both are open and share same goals for Galería Amón’s place in the capital. The duo aims to establish Galería Amón as a part of the growing art scene while encouraging it along by providing a space where a wide variety of international artists can show their work.

Both men love San Jose, and never intended to open a gallery anywhere other then in the capitol. They opened Galería Amón in the midst of several galleries, wanting to “cooperate and feed off one another; it is interesting how this is gradually coming to pass,” says Griffiths.

With hot dog stencils floating across its green walls, the gallery is hard to miss, even on a casual walk around the barrio. What might be considered a surprising decoration in the middle of Bario Amón is less so, as the gallery’s walls abut those of TEOR/éTica, an established gallery whose walls are painted dark blue with bright white snowflakes. The hot dogs were McCray’s idea –another one of his endless jokes, this one “about two gringos in Barrio Amón...Also, I was trying to say that we would like not to take ourselves too seriously.”

The gallery is presently showcasing a series of paintings (asphalt, metal dye and polyurethane on aluminum) by Costa Rican artist Alejandro “Tarzaán”Villalobos. In his ‘Paisaje’ series, he paints impressionistic images of the rainforest. His painting is messy, the dye seeming to be almost splashed on, but in its urgent application onto the aluminum, Tarzaán captures the humid denseness of the forest. The dull sheen of the aluminum background lends the feel of thick fog and the sensation of the rainforest at once receding and closing in on you.

Now that they have the gallery up and running, Griffiths and McCray turn their attention to fostering a community among the other galleries and contributing to the arts world of San Josè. Only a few months into their debut, there is talk of organizing a city wide art exhibition.

For now, Tarzaán’s ‘Paisaje’ series will be up through April. Beginning in May, Galerìa Amón welcomes Claudia Mandel as curator of an exhibit of Costa Rican photographers on the female figure.

Galerìa Amòn, Barrio Amòn, 250 meters north of Parque Morazàn, 223.9725

www.amon937.com

galeria.amon@yahoo.com